On display at the Eyebeam Art + Technology Center in New York City, the group’s five-year retrospective F. It’s exactly the kind of lighthearted irreverence F. The cavernous venue is packed as people line up for free booze and a turn at a nearby kiosk that links your Facebook account to a Big Brother-approved "national identity" card.
Against the rear wall is "Webcam Venus," a recent series by Addie Wagenknecht and Pablo Garcia that features ornately-framed portraits of online sex cam performers, instructed via live chat to mimic poses seen in classic works of art.
What makes this different from our other features is that this free video chat feature lets you enter specific chat rooms.
"That wasn’t a provocation, it was honestly an accident," Roth reassured us. I think that’s really what hacking has to offer." F.
Though the event was somewhat revealing of the sharp divide between some art galleries in Manhattan's upscale Chelsea neighborhood (in this case, literally a line in a wall). It’s parked suspiciously in the center of the space, surrounded by a crowd wearing Sergey Brin cut-out masks and what looks to be Google Glass — a closer look reveals they’re actually counterfeit 3D-printed frames made to look like Glass; the folks wearing them are coincidentally mingling with a lone Google employee wearing the real thing.
Nearby, there’s a QR code graffiti stencil set that produces the effect of 19th Century hobo glyphs, and a glass display holding the likenesses of Barack Obama and Mitt Romney as a set of 3D-printed dildos.
Next to it is "Wi Fi Tagger," another project by Addie Wagenknecht that lets anyone with hacked router firmware (instructions here) vandalize their local area with fake wireless access points. member KATSU let loose on Eyebeam’s facade with a fire extinguisher full of gold spray paint, inadvertently tagging the neighboring Paula Cooper Gallery in the process. "A lot of these projects are really more social hacks than technical hacks.Occasionally they break a law or two: outside, famed NYC graffiti artist and F. Needless to say, Paula Cooper wasn't too thrilled about her new bling. When you’re in that Google car, people treat you differently [...] When you step onto that stage and post the video of your TED talk on the internet and watch the comments you get, it’s kind of like giving people a taste of what that empowerment feels like. Roth is standing in front of his newest piece, "Ideas Worth Spreading," a full stage and video recording setup that allows anyone to record their own TED talk, complete with awkward microphone headset and trademark-infringing stage props. But Roth urges deeper participation, encouraging visitors to bring their own slides and upload their talks online to fully experience the kind of empowerment normally reserved for TED’s intellectual elite. Both technologies are almost like phantoms right now: futuristic, but just "real" enough to be ripe for trolling (or as F. Chatrandom™ Video Chat Rooms give you the ability to connect with thousands of random strangers worldwide."There’s this dialogue that goes on in the arts that doesn’t just have to happen in art galleries," he says over the blaring speakers. — whether "public" is on the street, on the internet, or somewhere in between.
"The idea is trying to make this kind of pop media that people can consume for fun, but hopefully there’s a message in there somewhere." Originally formed by members of Eyebeam’s Graffiti Research Lab, public art has always been a huge part of F. Probably the biggest piece on display, Theo Watson's sprawling "Every GML" projection, is composed of 40,000 personal signatures made with the Graffiti Markup Language he and Roth created. crew took the car for a spin out near Google’s headquarters in Manhattan, using some costumed trickery to make it look like the car was driving itself. "A lot of us are interested in how the idea of hacking can be applied to other things," says Roth.